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How old is Oleg Tabakov? Oleg Tabakov died: biography and personal life of the actor

In 1957, he became an actor and director of the Studio of Young Actors at the Moscow Art Theater, headed by Oleg Efremov, which was soon transformed into the independent Sovremennik Theater. He made his theater debut in the role of student Misha in the play "Forever Alive".

In 1966, he played Alexander Aduev in Viktor Rozov's Ordinary History. The performance was eventually transferred to the TV screen and was awarded the USSR State Prize. Then there were roles in the plays “The Fourth” by Konstantin Simonov, “The Ballad of the Sad Zucchini” by Edward Albee (Limon), “The Appointment” by Alexander Volodin (Lyamin), “Moscow Time” by Leonid Zorin (Mavrin), “From Evening to Noon” by Victor Rozova (Leva), “Decembrists” by Mikhail Shatrov (Ryleev), etc.

In 1968, at the invitation of the Chinogerny Club theater, Tabakov played one of his favorite roles in Prague (Czechoslovakia, now the Czech Republic) - Khlestakov in the play "The Inspector General" by Nikolai Gogol.

In 1970-1976, simultaneously with his acting activities, Tabakov served as director of Sovremennik.

From 1976 to 1983, Oleg Tabakov remained in Sovremennik as an artist in so-called one-time roles.

In 1983, the artist was accepted into the Moscow Art Theater troupe, where he made his debut as Salieri in Peter Schaeffer's Amadeus. He played in the plays "The Bench" by Alexander Gelman, "The Cabal of the Saint" by Mikhail Bulgakov (Bouton, Moliere), "Woe from Wit" by Alexander Griboedov (Famusov), "Tartuffe" by Jean-Baptiste Moliere (Tartuffe).

In 1976-1986, Tabakov released two courses at GITIS, which became the basis of the Studio on Chaplygina Street, which was later transformed into the Moscow Theater under the direction of O. Tabakov.

On the stage of this theater the artist played Meer Wolf (" Sailor's silence" Alexander Galich), Pyotr Aduev ("An Ordinary Story" by Goncharov), Herb Tucker ("I Want to Act in a Movie" by Neil Simon), Ivan Kolomiytsev ("The Last" by Maxim Gorky), Stepan Alekseevich Sudakov ("The Year When I Wasn't Born "Based on the play by Viktor Rozov "The Wood Grouse's Nest"), etc.

In the 1960s-1970s, he starred in such films as “Noisy Day” (1960), “The Living and the Dead” (1963), “War and Peace” (1965-1967), “Shine, Shine, My Star” (1969), “Seventeen Moments of Spring” (1972-1973), “Kashtanka” (1975), “The Twelve Chairs” (1976), “D’Artagnan and the Three Musketeers” (1978), “A Few Days in the Life of I.I. . Oblomov" (1979).

Among his film works are the films “Flights in a Dream and in Reality” (1983), “The Man from the Boulevard des Capucines” (1987), “The Inner Circle” (1991), “The Orphan of Kazan” (1997), “The President and His Granddaughter” (2000 ), "State Councilor" (2005), "Fan" (2012), "That Carlson" (2012), "Eternal Return" (2012), "Kitchen. The Last Battle" ().

Oleg Tabakov worked a lot on radio. He recorded such works as "The Youth of Herzen" by Alexander Herzen (1957), "Station of First Love" by Vladimir Amlinsky (1959), "To Kill a Mockingbird" by Harper Lee (1963), "At the Bottom" by Maxim Gorky (1969), "The Limit" possible" by Joseph Gerasimov (1979), "The Inspector General" by Nikolai Gogol (1987), "The History of a City" by Mikhail Saltykov-Shchedrin (1996), "One Day in the Life of Ivan Denisovich" by Alexander Solzhenitsyn (2000), "Anna Karenina" by Leo Tolstoy () and others.

Tabakov’s work in dubbing animated films also became widely known: “Bobik visiting Barbos” (1977), “Three from Prostokvashino”, “Holidays in Prostokvashino”, “Winter in Prostokvashino” (1978-1984), “Hedgehog plus Turtle” (1981), "The Wolf and the Calf" (1984) and others.

In total, Tabakov played about 200 roles in the theater, cinema, radio and television.

Oleg Tabakov - People's Artist of the USSR (1988), laureate of State Prizes of the USSR (1967) and the Russian Federation (). Laureate of the Presidential Prize of the Russian Federation in the field of literature and art (2002). He has received numerous professional awards and honors. Among them are the “Golden Aries” awards (1994), “Golden Mask” (1996, 2017), “Crystal Turandot” (1999, 2004, 2011, 2015), “Seagull” awards (2003, 2005), and the European Culture Award. Trebbia" (2011).

Today at 16:15, Oleg Pavlovich Tabakov died in the hospital at the age of 83.

Perhaps there is no larger-scale figure in modern Russian theater than the one who was Oleg Tabakov. A comprehensive and tireless one-man orchestra, until the very end it deftly, talentedly and productively combined acting on stage and in films, managing theaters and teaching students, the work of the Presidential Council for Culture and much more. They say about such people: block.

Tabakov's fate is like a voluminous novel with adventures and misadventures, love and betrayal, friends and enemies. And although the artist always willingly shared his stories with the public, his main confession was the memoir “My Real Life,” where he openly spoke about his life path, its radical turns and fateful decisions.

Escaped death three times

Tabakov said that, according to his own mother, Maria Andreevna Berezovskaya, in 1935 she did not plan his birth. When she became pregnant, she was 32 (her father, Pavel Kondratyevich Tabakov, was 31), and was a 5th year student at the Saratov Medical Institute. She already had a daughter, Mirra, from her first marriage. And then she even tried to get rid of the child, apparently with the help of medications. But something went wrong - the boy was still born. And more than anything in the world he loved his mother. Two decades later, for the first time in his life, finding himself on board an airplane, a student at the Moscow Art Theater School Oleg Tabakov, in his mental sentimental prayers, turned to God with words about his mother.

More than once Oleg Tabakov was on the verge of death, but fate protected him. Once at the end of the 1940s, while still living in Saratov, young Tabakov was riding a tram. And then the train jerked sharply, legs young man slipped off the step right under the wheels. Suddenly a man grabbed him by the collar and dragged him into the carriage. Out of fright, the boy did not even recognize the name of his savior.

Surprisingly, Oleg Tabakov experienced a very dangerous heart attack extremely early, at the age of 29. This happened in 1965, when he worked exhaustingly at the Sovremennik Theater. In the double ward of the Botkin Hospital, where he was placed through connections, first one patient died before his eyes, then a second. The artist expected that death would come for him. His colleagues, friends, wife Lyudmila Krylova and their 5-year-old son Anton then gathered at Tabakov’s bedside. Everyone seemed to say goodbye to him on his deathbed, but after a few weeks he began to recover, and soon returned to work with even greater dedication. A few months after the heart attack, he already played in the premiere performance, and subsequently joked that “the heart attack did not make an impression on him.”

Fate knocked for the third time in the late 1990s during Tabakov’s flight to Vienna, where he staged the play “The Roof.” The engine of the Tu-154 plane caught fire. When the aircraft urgently landed in Warsaw, Tabakov saw a completely charred, hardly recognizable engine and realized that just a few minutes ago he was on the verge of death.

The theater begins with the toilet

As you know, Oleg Tabakov led three theaters during his life: the shortest was his six-year management of Sovremennik after Oleg Efremov left there, then he opened Tabakerka twice and then headed the Moscow Art Theater. Chekhov, again, after Efremov. The last two theaters remained under his leadership until his death.

They say about Tabakov that he had the ability to cultivate the entire space around him and inside his theaters. The same “Tabakerka”, which started from the basement (former coal warehouse) on Chaplygina Street, grew first to the first floor, then to the house opposite, then to the entire yard. If in the case of the basement he received a frankly dirty room that had to be washed and repaired, then in other places where theaters were already operating, everything was, of course, better. But before the arrival of Tabakov, in the same Sovremennik or the Moscow Art Theater there simply was not even paper in the toilets.

In his “Snuffbox,” Oleg Pavlovich forced the studio members to scrub the latrine themselves to a state of “sterility spreading the fragrance of deodorants.” And about the situation in the Moscow Art Theater before him, without mincing words, he said that it was “drunkenness, srach, theft.” In addition to the cleanliness of the toilets, in this theater he had to contend with half-empty halls and meager salaries of the artists. After a couple of years of his reign, the theater was no longer recognizable. And the main indicator of this is almost one hundred percent sold out. By the way, it was Tabakov who removed the letter “A” (“academic”) from the theater’s abbreviation, renaming it from the Moscow Art Theater to the Moscow Art Theater. According to him, theater cannot be academic by its nature.

According to historian Anatoly Smelyansky, Tabakov led the theater “in an absolutely authoritarian, tough manner, combining Russian revolutionary scope with American efficiency.” But for Tabakov, the theater staff has always been his family, in which he is one hundred percent patriarch. He considered artists, studio members and students to be his children. He raised them and rejoiced at their successes, each time having a hard time experiencing their departure from the nest. And his students flew out beautifully: Evgeny Mironov - to lead the Theater of Nations, Sergei Bezrukov - the Moscow Provincial Theater, Vladimir Mashkov - to Hollywood, from where, however, he returned to Tabakov already at the Moscow Art Theater.

If under Soviet rule Tabakov had to maneuver and maneuver a lot in order to preserve the spirit of his free theater and at the same time not completely let all his charges become a monastery (after all, “Tabakerka” was closed for 7 years), then with the fall of the regime his hands were completely free.

Moreover, by the beginning of the 90s, Tabakov had such powerful authority that the new authorities only accepted it as an honor to help him in everything. The artist no longer hesitated to take advantage of his exceptional position among people at all levels, including high-ranking officials. He himself called it “trading your face.” Colleagues recall that just one phone call, starting with “Good afternoon. This is Oleg Tabakov,” solved the most difficult issues. Most often, not him personally, but questions about the theater or the fate of his colleagues in the shop.

Women: many and two

There were legends about Tabakov’s communication with the fair sex. Tabakov never denied that he loved women and never denied himself their attention.

“If the Lord or fate bestowed me with a feeling, it developed according to all the laws of falling in love and everything that accompanies it. I am grateful to life that the schedule of my crushes has always been tight, eventful and regular. Almost like the movement of suburban trains,” he wrote.

But everything changed when She appeared. 17-year-old Marina Zudina, who came to Tabakov’s studio, captivated the heart of the 37-year-old master. They dated for many years and broke up more than once.

— Marina changed my view of “our sister woman.” A novel that lasts seventeen years is something incomprehensible to the former me. Of course, anything could happen: at the dawn of this novel, Marina wrote me letters more than once summing up our relationship, after I consistently and logically tried to convince her that she needed to decide her life without me... And then it all started again.

Oleg Tabakov with Lyudmila Krylova.

Oleg Pavlovich did not want to repeat the mistakes of his own father, who left the family immediately after the war. So I waited until the children grew up. When his youngest daughter Alexandra turned 29, Tabakov divorced Lyudmila Krylova and married Marina Zudina. The eldest son Anton accepted his father’s choice, but Alexandra was never able to do this.

Muller is eternal, just like detective is eternal

Despite the fact that Tabakov played in more than 120 films, he himself singled out only a few of the most important roles for him. This is the role of Vladimir Iskremas in Mitta’s “Shine, Shine, My Star,” the role of Academician Kramov in Titov’s film “Open Book,” as well as Schellenberg in “Seventeen Moments of Spring.”

After watching the latter, as Tabakov recalled, Yuri Andropov approached him and whispered:

"Oleg, this is how to play an SS general- immoral!"

“Life is imperfect, but it is not the same substance that rules the world. It is ruled by faith, your own desire to create something and not leave without a trace. I hope this is what fueled my real life.”

Oleg Tabakov

The famous Russian artist died not because his heart stopped, as previously reported, but because an infection entered his blood. Irina Miroshnichenko, who was a good friend of Tabakov, spoke about this.

Irina said that Oleg Pavlovich had severe toothache. He tried not to show it, but at some point the pain became so unbearable that he could no longer endure it, so he turned to a private dentist for help. It is likely that the infection entered the blood from the inflamed gums, which is why purulent damage to the lungs began.

Medical experts confirmed this version and noted that due to infection in the blood, the physiological barrier between the circulatory and central nervous systems, so meningitis began to develop.

Doctors admit that a purulent infection broke the physiological barrier, so meningitis began to develop. So, Tabakov’s brain was practically melting from pus.

In addition, it became known that the artist had cancer. prostate gland. This diagnosis was made more than ten years ago. Throughout this time, the People's Artist underwent all the necessary chemotherapy procedures and continued to work actively. In this case, chemotherapy and dental implantation are incompatible.

Tabakov was taken on his final journey on March 15th. It happens that roads in the capital are blocked in order for some kind of motorcade to pass, so drivers honk their horns indignantly. This time everyone also honked, but with sadness and sympathy.

People near the entrance to the Moscow Art Theater, where they said goodbye to Tabakov, began to gather at seven o’clock in the morning.

The hearse with Oleg Pavlovich left to applause, as is customary among artists. People were crying and whispering. A tearful Zolotovitsky, who was predicted to become Tabakov, helped load the flowers into the car. The artist was buried at the Novodevichy cemetery.

Oleg Pavlovich Tabakov was born in Saratov into a family of doctors. The future actor spent the first years of his life in a communal apartment. Oleg Tabakov's childhood memories are very bright. He was surrounded by many loving people: mother, father, two grandmothers, uncle and aunt, half-brother and sister.

In the early nineties, Tabakov’s personal life became the main topic of the tabloids for some time. After thirty-five years life together with his first wife, actress Lyudmila Krylova, the artist left the family for Marina Zudina.

The age difference between Tabakov and Zudina, who was old enough for the actor to be his daughter, is thirty years, but this never bothered the artist. Tabakov’s children, Anton and Alexandra, supported their mother and even left the profession as a sign of protest. After some time, only Anton Tabakov’s relationship with his father improved.

Oleg Tabakov and Marina Zudina got married in 1995 after a 10-year romance. Tabakov comments on his departure from the family: “no matter how banal it may sound, Lyuboff has come.” Tabakov described all the facts from his personal life and career and, of course, his love story in the book “My Real Life.”

The affair with Marina Zudina was not the first time in the actor’s life when he became interested in the young actress. There is talk of a passionate romance between thirty-four-year-old Tabakov at that time and sixteen-year-old Elena Proklova, which began while working on the film “Shine, Shine, My Star.”

Proklova does not hide the fact that Tabakov was her first true love, and various gossip around their relationship and the actress’s minority only interfered with their further relationship.

In 1995, the young wife gave Oleg Pavlovich a son, Pavel, and in 2006, a daughter, Maria.

Soviet and Russian theater and film actor, director, teacher. People's Artist of the USSR (1988). Laureate of State Prizes of the USSR and the Russian Federation, full holder of the Order of Merit for the Fatherland.

BIOGRAPHY

Oleg Tabakov was born in Saratov into a family of doctors. He studied in the "Young Guard" theater group at the Saratov Palace of Pioneers and Schoolchildren. In 1953 he entered the Moscow Art Theater School (course of V.O. Toporkov).

THEATER

In 1957 he created the "Studio of Young Actors", which later transformed into the Sovremennik Theater. Oleg Tabakov was one of the founders of the new theater, and his first role there was the student Misha in Efremov’s legendary play “Forever Alive.” After this there were works in the productions: “In Search of Joy”, “Five Evenings”, “The Naked King”, “The Fourth”, “Moscow Time”, “On the Wedding Day” and others. The roles played by the actor in the 50s and 60s on the stage of Sovremennik became iconic for the entire art of the Thaw.

The actor served in Sovremennik until 1983. From 1970 to 1976, Tabakov was director of the theater.

Since 1983, Tabakov has been an actor at the Moscow Art Theater. After the division of the theater in 1987, he remained at the Moscow Art Theater. Chekhov. In 2001, he was appointed artistic director of the Moscow Art Theater. Chekhov. Thanks to him, the theater again gained the status of one of the leading theaters in the country with a current repertoire and fashionable directors. By the way, it was Tabakov who in 2002 invited the young man to stage the play “Terrorism” by the Presnyakov brothers, discovered St. Petersburg director Yuri Butusov to the Moscow public and began working with Konstantin Bogomolov.

Roles on the stage of the Moscow Art Theater and the Moscow Art Theater. Chekhov

Salieri - "Amadeus"
He is "The Bench"
Neil Fedoseevich Mamaev - “Simplicity is enough for every wise man”
Goloshchapov - "Silver Wedding"
Heil Maher - "Lawyers"
Sorin - "The Seagull"
Lebedev - "Ivanov"
Bud - "Cabal of the Saint"
Famusov - "Woe from Wit"
Moliere - "The Cabal of the Saint"
Niels Bohr - Copenhagen
Pribytkov - "The Last Victim"
Tartuffe - "Tartuffe"
Maurice - "The Jeweler's Jubilee"
Burgomaster - "Dragon"

In 1987, a Moscow theater-studio was founded under the direction of Oleg Tabakov, located on the site of a former coal warehouse on Chaplygina Street. The theater troupe included actors from Tabakov’s course, recruited in 1982: Sergei Belyaev, Sergei Shkalikov, and others.

Roles on the stage of the Moscow theater-studio directed by O. Tabakov

Meer Wolf - "Sailor's Silence"
Pyotr Aduev - "Ordinary History"
Herb Tucker - "I Want to Be in a Movie"
Talleyrand - "Dinner"
Ivan Kolomiytsev - "The Last"
Anchugin - "Anecdotes"
Leone Savast - "Sublimation of Love"
Ivan Zhukov - "Room of Laughter"
Andrew Lad III - " Love letters"
Luka - "At the Bottom"
Serebryakov Alexander Vladimirovich - "Uncle Vanya"
Plyushkin - "WALK, based on the poem by N.V. Gogol" Dead souls"
Count Almaviva - "Crazy Day, or The Marriage of Figaro"
Dr. Dorn - "The Seagull"
Stepan Alekseevich Sudakov - "The Year When I Wasn't Born"
Dr. Dorn - "The Seagull" (new edition)

MOVIE

Tabakov made his film debut in 1956, playing the role of the young communist Sasha Komelev in the film “Tight Knot” based on the story by Vladimir Tendryakov. After that there were roles in the films: “People on the Bridge”, “Young and Green”, “A Bridge is Being Built”, “Shot” and many others.

Oleg Tabakov gained national fame due to his roles in the films: “Ah, vaudeville, vaudeville...”, “D’Artagnan and the Three Musketeers”, and many others. In total, the actor’s filmography includes more than 200 films. Oleg Pavlovich worked with and other masters of Russian cinema.

PERSONAL LIFE

Oleg Tabakov was married twice. The artist's first wife was actress Lyudmila Krylova. This marriage produced a son, Anton (1960), and a daughter, Alexandra (1966).

In 1995, Tabakov married for the second time, and a young actress became his chosen one. The family has two children: a son (1995) and a daughter Maria (2006).

Based on materials from sites:mxat.ru,ok-magazine.ru,rg.ru,gq.ru,sobesednik.ru,starhit.ru,vokrug.tv,cinema-teatr.ru,kinopoisk.ru.

AWARDS AND TITLES:

USSR State Prize for playing the role of Alexander Fedorovich Aduev in the play "Ordinary History" (1967)
Order of the Badge of Honor (1967)
Moscow Komsomol Prize (1967)
Honored Artist of the RSFSR (1969)
People's Artist of the RSFSR (1977)
Order of the Red Banner of Labor (1982)
People's Artist of the USSR (1988)
Order of Friendship of Peoples (1993)
Golden Aries Award (1995)
Golden Mask Award (1996)
Moscow City Hall Prize for Literature and Art (1997)
State Prize of the Russian Federation (1997)
Order "For Merit to the Fatherland" III degree (1998)
President's Award Russian Federation in Literature and Art (2002)
Prize of the newspaper "Moskovsky Komsomolets" based on the results of 2002-2003. ("Best Duet" - performance of the Moscow Art Theater named after A.P. Chekhov "Copenhagen")
Title of honorary citizen of Saratov (2003)
Readers' Award of the newspaper "Arguments and Facts" "National Pride of Russia"
"Chaika" Award in the "Heart of an Angel" nomination for production success
Award from the newspaper "Moskovsky Komsomolets" (the role of Serebryakov in the play "Uncle Vanya")
Order of Merit for the Fatherland, II degree - for outstanding contribution to the development of theatrical art and many years of creative activity (2005)
Award from the newspaper "Moskovsky Komsomolets" (season 2004-2005) in the category "Person of the Year"
"Chaika" Award in the "Patriarch" category
Award "Crystal Turandot" in the nomination "For valiant service to art"
Award named after G. A. Tovstonogov (within the framework of the Higher Theater Award of St. Petersburg "Golden Sofit", season 2006-2007) - "For outstanding contribution to the development of theatrical art"
Honorary Doctorate of the Czech Academy of Fine Arts (2007)
Award of the newspaper "Moskovsky Komsomolets" (honorary nomination "Good mascot of our newspaper", 2008)
Title of honorary member of the Russian Academy of Arts (2008)
Prize of the newspaper "Moskovsky Komsomolets" (2009)
Order of Merit for the Fatherland, 1st degree - for outstanding contribution to the development of domestic theatrical art and many years of creative activity (2010)
Commemorative medal "150th anniversary of Chekhov" for great contribution in the study and popularization of the creative heritage of A.P. Chekhov (2010)
Gold medal named after N. D. Mordvinov "For outstanding contribution to the development of the theater" (International Theater Forum "Golden Knight", 2010 and 2011)
European Culture Trebbia Award for Outstanding Contribution to the Arts (2011)
International award "Person of the Year" (Grand Prix) - for the most striking manifestation of oneself in serving the public political and state interests of Russia (2011)
Title of honorary citizen of the Saratov region (2011)
Theater Award "Crystal Turandot" for outstanding contribution to the development of theatrical art (2011)
"Idol" Award in the category "High Service to Art" (2011)
Star Bridge Award for Outstanding Contribution to the Development of Audiovisual Arts for Children and Youth (2011)
Officer of the Legion of Honor (France) (2013)
Oleg Yankovsky "Creative Discovery" Award (Cherry Forest Festival) - for the opening of the Moscow Theater School (2013)
Interstate Award "Stars of the Commonwealth" (2014; award established by the Council for Humanitarian Cooperation of the CIS States and the Interstate Fund for Humanitarian Cooperation of the CIS Member States)
Audience Award "Theatrical Star" in the category "Favorite Theater / Best Director" (2014)
Commemorative medal for significant contribution to the development of Russian-Swiss relations (to the 200th anniversary of the establishment of diplomatic relations between Russia and Switzerland, 2014)
Theater award "Crystal Turandot" in the category "Best Actor" for his performance of the main role in the Moscow Art Theater play "The Jeweler's Anniversary" (2015)
Order of Merit for the Fatherland, IV degree and status of full holder of the order - for outstanding contribution to the development of national culture, cinematic and theatrical art, many years of creative activity (2015)
Theater award from the newspaper "Moskovsky Komsomolets" in the category "Masters. Best Actor" for his performance of the main role in the Moscow Art Theater play "The Jeweler's Anniversary" (2015)
Oleg Yankovsky "Creative Discovery" Award (Cherry Forest Festival) - for playing the main role in the Moscow Art Theater play "The Jeweler's Anniversary" (2016)
Russian National Theater Award "Golden Mask" in the honorary nomination "For outstanding contribution to the development of theatrical art" (2017)

FILMOGRAPHY: ACTOR

Kitchen. The Last Battle (2017)
Kitchen in Paris (2014)
That same Carloson (2012)
Groupie (2012)
Eternal Return (2012)
Melody for a barrel organ (2009)
Yoke of Love (2009)
The Hunchback (2009)
Saboteur. End of the War (2007), TV series
Relatives (2006) /Rokonok/
Andersen. Life without love (2006)
Extra Time (2005)
Yesenin (2005), TV series
State Councilor (2005)
Wealth (2004), TV series
Lady for a Day (2001)
Give Me Moonlight (2001)
The President and his granddaughter (2000)
Quadrille (1999)
What the Dead Man Said (1999), TV series
Orphan of Kazan (1997)
Three Stories (1997)
Twenty minutes with an angel (1996)
Moscow Vacations (1995)
Shirley Myrley (1995)
I want to go to America (1993)
The Inner Circle (1992) / The Inner Circle /
Royal Hunt (1990)
Hat (1990)
The Art of Living in Odessa (1989)
Love with Benefits (1989)
It (1989)
The Heart Is Not a Stone (1989)
Expensive Pleasure (1988)
One, two grief - no problem! (1988)
Step (1988)
Black eyes (1987) /Oci ciornie/
The Journey of Monsieur Perrichon (1987)
The Man from the Boulevard des Capucines (1987)
The Path to Yourself (1986)
The End of the World followed by a symposium (1986)
Applause, Applause (1985)
City of Brides (1985)
Alien Ship (1985)
After the rain on Thursday... (1985)
Time and the Conway Family (1984)
If You Can, Forgive (1984)
Loop (1984)
Someone else's wife and husband under the bed (1984)
Ali Baba and the Forty Thieves (1983)
Somewhere in the provincial garden (1983)
Mary Poppins, goodbye! (1983)
Look Back (1983)
Kiss (1983)
Stovemakers (1982)
Flying in dreams and in reality (1982)
Vacancy (1981)
Aesop (1981)
It's the other way around (1981)
Uninvited Friend (1981)
Ah, Vaudeville, Vaudeville (1979)
Moscow doesn't believe in tears (1979)
A few days in the life of I.I. Oblomov (1979)
D'Artagnan and the Three Musketeers (1978)
From Lopakhin's notes (1978)
Handsome Man (1978)
On the Eve of the Premiere (1978)
Chorus Girl (1978)
Biryuk (1977)
Twelve Chairs (1977)
Unfinished Piece for Mechanical Piano (1977)
Prank (1977)
Trans-Siberian Express (1977)
Waves of the Black Sea (1976)
The Tale of How Tsar Peter Married a Blackamoor (1976)
Kashtanka (1975)
Trading a dog for a steam locomotive (1975)
Lev Gurych Sinichkin (1974)
Dacha (1973)
Open Book (1973)
Seventeen Moments of Spring (1973)
Property of the Republic (1972)
Ilf and Petrov were traveling on a tram (1971)
Dog, Sour Cream and Trumpet (1970)
Heart of Russia (1970)
The Case of Polynin (1970)
Secret iron door (1970)
Touches to a Portrait (1970)
Shine, Shine, My Star (1969)
King Stag (1969)
War and Peace (1967)
Shot (1966)
War and Peace (1965)
Road to the Sea (1965)
A Bridge is Being Built (1965)
The Living and the Dead (1963)
Young Green (1962)
Clear Sky (1961)
Probation (1960)
Noisy Day (1960)
People on the Bridge (1959)
The Eve (1959)
The Motley Case (1958)
Tight Knot (1957)

FILMOGRAPHY: VOICE OVER

Three from Prostokvashino (1978)
Vacation in Prostokvashino (1980)
Winter in Prostokvashino (1984)

In 1970-1976, simultaneously with his acting activities, Tabakov served as director of Sovremennik.

From 1976 to 1983, Oleg Tabakov remained in Sovremennik as an artist in so-called one-time roles.

In 1976-1986, Tabakov released two courses at GITIS, which became the basis of the Studio on Chaplygina Street, which was later transformed into the Moscow Theater under the direction of O. Tabakov.

On the stage of this theater, the artist played Meer Wolf ("Sailor's Silence" by Alexander Galich), Pyotr Aduev ("Ordinary History" by Goncharov), Herb Tucker ("I Want to Act in a Movie" by Neil Simon), Ivan Kolomiytsev ("The Last" by Maxim Gorky) , Stepan Alekseevich Sudakov ("The Year When I Was Not Born" based on the play "The Wood Grouse's Nest" by Viktor Rozov), etc.

In total, Tabakov played about 200 roles in the theater, cinema, radio and television.